So… a couple ages ago I started talking about the idea of bringing vocals to my music.. and all this time latter.. still no word from me on the subject.. well, that is likely about to change.. and this post will cover some of my preconceptions on the subject…
I “can’t sing.” Err.. maybe I can, I don’t really know.. but the point is that I don’t sing, and so from a “practice makes perfect” perspective.. if I were to start taking singing seriously.. it’ll probably be a while before I get good enough so that the results aren’t painful.. never mind brining them up to the sorta level I’m aiming for which is like… “good enough to be a part of a music I’m aiming at a global market with,” to put it sorta crudely..
Ahh, but my fine bother’s and sisters.. lets get serious.. I’m a producer, right? I’m an electronic studio guy.. I’m a mad scientist of.. well.. music.. do mad scientists really need to sing? No.. mad scientists have there robots do it for them! Or.. you know.. use technology to mitigate the limitations of the situation… which brings us to where we sit today.
UPS Tracking information informs me that the latest bit of production tools.. the “AVOX2 Antaras Vocal Tool Kit” left Ashland MA at around 5:24 this morning.. for delivery.. Ashland is basically in my back yard.. which suggests its not at all unlikely that it could show up today! Oh the excitement of it all!!!
Ok, so let us talk about our vocal tool kit.. (Not Necessarily the AVOX2)
There are many tools in my studio that can be pressed into service for vocal stuff.. but lets just focus on the sorta.. “are actually meant for this kind of thing” tools.
Melodyne
You’ve no doubt heard the term “auto tune?” Basically.. you take a tone def vocalist.. throw him or her through auto tune.. and botta-boom-buttah- bing.. the tones are in tune.. It’s of course more complicated then that.. on a sorta aesthetic level.. but.. well anyway.. so Melodyne does pitch correction.. as well as.. err.. working with.. is it called “foment?” Um.. certain qualities of the voice that can be modified a bit..
I actually have Melodyne studio.. which.. among its other interesting features… you can out put performance data… based off its analysis of the audio who’s pitch and.. err foment? you were playing with.. and this performance data can then be applied to other things.. like say.. synths, or.. a vocal synthesizer…
Cantor

I’ve talked a bit about Cantor in the past.. it’s my vocal synth.. It has, in my view, a number of problems relative to work flow.. but.. so the story goes.. its pretty easy to go and throw the performance data generated from Melodyne.. at Cantor.. so that you now have Cantor singing, kinda sorta, as if it were you singing.. if you can quite dig what I’m saying…
We interrupt this blog post with late breaking news
Looks like the Antares stuff just showed up
AVOX2 Vocal Tool Kit
So.. AVOX2 has been on my radar forever.. well AVOX1 was there to.. but particularly when the thoughts of bringing vocals to my music came up.. or I started to really think about it.. this really looked like the sorta best suit of tools for the job.. and its worth mentioning that the company Antares, that makes AVOX, is also the folks who make a product called “auto tune.”
The trouble was that this bundle was a little pricy.. or pricy enough, at $600, that it was resigned to sit on a table with stuff I want.. but don’t quite know if I should actually drop the cash on.. fumbling around with the question “is there price equal to, or less then, its priority in the budget scheme.” But then.. and I forget why, just a few days ago.. I decided to go check out the price.. and found it had dropped to $300.. Which is enough to make me feel thankful for the bad economy! At $300 I figured “Ok, I need it,” and so bought it.
The Guitar Center shopping experience
I went to the Framingham Guitar Center to buy… and I feel like this is a story worth telling.. cause if you’re putting together a studio.. you might run into this sorta thing.
Guitar center.. and I don’t in anyway mean to impune the guys over there I’m often dealing with.. but.. it’s broken. Generally I prefer to buy from Guitar Center over online for two reasons.. #1 I can use cash.. and that’s really the big one.. and #2.. which isn’t small.. I can have some sort of a relationship with someone as I buy.. where I can get information and sorta shoot the shit with.. and whatever.
The trouble, however, is many fold. #1 They almost never have what I want in there inventory.. and it’s not like I’m necessarily buying obscure shit.. Buying a program like Altiverb.. perhaps the industry standard for convolution reverb.. they don’t have in stalk.. and let me tell you.. this is a bread and butter tool for anyone serious about mixing! BFD or.. Big F’n Drums.. they normally have the expansion pack.. but not the core of it.. and its certainly one of the leading drum sample engines.. nearly everything I buy from Guitar Center has to be ordered.
Currently.. Guitar Center is running promotions for the Euphonics MC control surfaces.. tools I really want.. expensive tools.. and the kind of thing you’d really like to see a display of that you can touch and get a feel for before buying.. and they don’t even have them in stalk!!! Ånd they’ve got signs throughout the store promoting them!
Guitar Center.. and I don’t know the details on this.. has some sorta of relationship with musiciansfriend.com, which is probably the #1 online retailer for musical instruments and gear.. and you can order stuff from them at Guitar Center.. plus there’s a guitar Center website were you can buy stuff.. these places actually have the tools in questions.. or most of them anyway..
What would make sense, from a brand perspective.. what I would do if I was running all this madness.. would be to view Guitar Center from a brand experience point of view.. it would be all about customer service.. You’d empower the sales staff to do whatever they could to create the best customer experience possible.. but..
Well I’ll put it this way.. to buy the stuff with Cash.. they have to sell me a gift card for the amount in question, and then buy the software with the gift card.. They had a bit of old music mags.. There’s a number of them coming out of the UK that normally go for about $15.. but, as they were old and they want to get them out of the store.. they were selling them for $1… but.. they had to fix the price to sell it to me.. which required finding the manager.. and somehow buying these two things kept me in the store for a good half hour or more (not an uncommon occurrence).. and I had to explain to sales guy about the gift card technique for allowing me to buy the stuff with cash…
Plus.. they want you’re information… you’re name.. so they can keep all that data on you.. and because there computer sales system is.. horrible.. I had to give it to them, along with my email address.. about 4 different times.. as we fumbled through the process.. so like.. you’d have to be a very experienced sales guy to know how to do it…
The way guitar center and musicians friends have managed to be successful up to this point is via competing on price.. and they’ve managed to push much of there competition out of the way this way.. so they are a near monopoly.. There’s certainly no near by stores carry the same sorta inventory.. or by which I can order most of this stuff.. Which is why they can, at least in the short term, afford to be broken.
The thing is.. you really want to buy from a place where you can have a good relationship with.. a kind of relationship that you can’t really get with guitar center.. can you buy a Mic, discover its not right for your voice, and then return it.. or does “doing it by the book” get in the way of customer service? Mind you I’m helping all the sales people there put there kids through college at this point.. the cost of customer retention being so much less then conversion.. I should be getting a whole lot of special treatment.. and I sorta do just by how the guys treat me.. but how far that goes is limited by the system.
Ok.. brand experience rant over.. back to..
The AVOX 2 Tool Kit
AVOX 2 is really a bundle of effects for processing voice.. lets see if we can’t talk about them.
Harmony Engine
This would be.. the most complex / deep program in the bundle.. as its name might suggest.. it’s a real time plug in for essentially creative vocal harmony arrangements from a single vocal line.. the idea here is.. to both make things simple.. from a process / workflow perspective.. and also powerful.. with a lot of creative control.. I wonder if they support any kind of microtonality?
Throat
Throat is a “physical modeling vocal designer” which.. in english.. much of the sound of your voice, to put it lightly, is a result of.. well.. you’re body and throat.. and what Throat tries to do is.. take the incoming vocal.. neutralize it.. in terms of the influence of your throat.. and then sorta morph it into some other sorta throat..
Duo
What we got here is a vocal doubler.. using pitch, delays, and vocal modeling / vibrato stuff to try and create a convincing double of a vocal
Choir
As near as I can see.. its like Duo with more vocals.. but.. offers some unique control.. that you want when generating multiple vocals.. basically it’s about creating a choir from a single vocal line.
Punch
Apparently we are talking about compression and limiting.
Sybil
Basically a De-Esser… when singing.. or speaking for that matter.. particularly when you get to EQing stuff.. bad things can happen that De-Esser’s help with.. is the long and the short of it.. or at least the short of it…
Articulator
Here we have our selves “a vocal formant and amplitude modeler.” Err.. formant, that was the word I was searching for before.. this one probably deserves some explanation..
Articulator is basically a new kinda vocoder.. what a vocoder does is.. you speak into it.. it analyzes it.. in terms of how loud different frequencies are at any given moment.. you then put another sound through the vocoder.. and it pumps up and pushes down those frequencies.. corresponding to how loud or soft they are at that moment in your speaking.. so you get a kind of funky robot voice.. that you’ve heard before on many an album.. Well, that’s basically what articulator does.. accept now we are talking about formant instead of frequencies.
Mutator
Pitch shifting, throat modeling, ring modulation, and blah blah blah.. it mutates your vocals.. for kinda sound design / special effects type purposes.
Warm
basically this is for coloring / warming stuff, in a tube esk fashion.
Aspire
Basically we are effecting the breathiness of a vocal independent from other attributes.
AVOX 2 Conclusions
There’s more to be said.. but.. I don’t really know that much as I haven’t jumped in yet.. so stay tuned.. It’s a bundle that’s gotten very good reviews.. and I think.. or I hope, it’ll go a long way in helping me realize vocals in my music.
Areas that need attention
As I said before.. there are other tools in my tool box.. including a vocoder from VirSyn.. and… well various things..
The real weak point is.. well stuff for recording.. where you really want high quality microphones, microphone preamps, and analog to digital conversion. I have decent, which is to say not necessarily excellent, pre amps and analog to digital conversion.. and I have super cheap / budget microphones. I also have an audio filter that takes out the background reverberations of the space I’m trying to record the vocal in..
I don’t really know what the right path is to take as far as the upgrades are concerned.. this kind of stuff tends to be very expensive if you want uncompromising pro studio grade results.. I don’t know how far I should compromise, if I should.. or any of this sorta thing..
My plan is to explore what I got.. and see what happens. Could processing stuff lead to creative results that could mitigate the effects of the weaknesses of my recording gear? How high a priority should I put on recording gear? If I’m planning on recording.. well, drum kits, or field recording.. as a pose to just one track at a time.. the calculous changes.. so thinking about the future of my studio is something to be very careful about given the budgets involved..
Stay tuned for future post where I get into the attack plans.. and reflect on actual production work… and where I’ll be in a better place to talk about how all these pieces fit together in practice.