Sleepy time meditations / reflections on Electronic Music an Algorithmic Fun

I’m getting ready to slip into unconsciousness.. and feeling sorta in awe of how long it’s been since I’ve posted.. and all the 100s of drafts I’ve rejected inside of that time frame.. mixed with all the things I feel inspired to write about… So I figure I gotta post something.. and whatever it is, its got to be short.. so..

I’m thinking about electronic music a little bit.

Electronic music, to mind at this moment, is like the most incredible genera of music around.. I suppose this is in large part because it doesn’t really refer to a genera, but more a way of making music.. and if you’re familiar with how music is being made today.. I think it’s reasonable to say that at least 90% of everything made today is made on a computer.. and thus is electronic music.. even if we don’t generally view it as such.

But what I really dig is the seriousness of the genera.. or that there are areas of electronic music that are so serious.. be it from a compositional perspective.. philosophical sorta aesthetic perspective… and then.. you have club music, rave music.. dance music so to speak.. and then it goes so far as the music that underlies Rap.. or you think of the stuff going on in Nine Inch Nails or Marilyn Manson…

History of Electro Acoustic Music 101 

The history of electronic music can probably be told in a variety of ways.. but basically you have these major universities.. and only a few of them.. back in the early early days.. that were able to afford these computers that would take up whole rooms.. big rooms at that.. that were the only places with the power to make it happen.. and so only a very few were able to get access to these things.. and so the early stuff has this rather serious classical sorta influence..

Eventually.. out comes these analog synths from folks like Moog.. made popular by Wendy Carlos and the like… and eventually made cheap enough that regular musicians could afford…

Now.. all these years latter.. there’s a hell of a lot of tools for electronic music that you can down load for free.. and then we have the commercial software..

Seriously Serious Avant Guard fun 

I’m getting ready to enter a phase where in I’ll call myself a serious electronic sound artist.. seems like a good way of putting it. Not that I ever wasn’t.. but now there’s a kind of new focus to it.

One of the areas I’m naturally attracted to is.. a kind of world of seriously serious seriousness.. of.. avant guard delights. Historically this is music Frank Zappa might call “ugly,” …ugly not being a negative term here. I think of the 60s revolutionary spirit.. the rethinking of basic values.. and the effect that some stuff became very difficult listening.. and something good for the more snobby among us.. to listen to and think we is better then them…  

Matt’s mitigation of the ugly 

LOL, of course I am better then them.. where’s my Thursten Howl voice? But um.. I’ve never meant to make music that was in anyway unapproachable. The issue of approachability is a design consideration.. But.. I’m also interested in exploring sorta far out ideas… 

I guess.. and I don’t know.. it’s hard to tell at this point.. but it seems like there’s certain compositional ideas.. ways of thinking.. a kind of.. set of things.. which kind of characterize my music at this point.. and then.. there’s a set of things that I’m exploring with the idea of adding new dimensions to it. So.. basically I have a set of strands.. all at varying levels of maturation.. that I basically weave together.

At the moment I started to write this post.. I’ve been contemplating the development of a whole lot of new strands… some of these strands I’ve been contemplating for the last.. almost 20 years.

The construction of these strands.. some of them anyway.. seems rather daunting.. steep learning curves required to get anywhere near my vision..  Should I speak of these? Well.. it would take a whole post to explore but a part of this but…

Algorithmic Composition

What we are talking about here.. basically, is writing programs that create compositions… Indeed create performances. Or perhaps we aren’t writing the program.. perhaps we are just setting up conditions..

My first thoughts on this matter… I was probably about 15 years old.. having just taken up guitar.. and was a bit of metal head.. Early on I had become interested in making music that was.. strange.. out there.. experimental… in part as a kind of philosophical reaction to the music I’d heard before.. it was a revolutionary spirit..

Let’s say we wanted to use an algorithmic approach to making heavy metal music.. how might we go about it? 

Theory Geek-O-Ree 

My view had been.. lets start with a scale.. create a randomly generated synthetic scale.. 8 tones.. where we could use a regular diatonic framework.. warped into our synthetic scale. From where we could have a probabilistic framework..  

Perhaps it would start by thinking about chord progressions for a riff.. or something like that.. divide time up into..  a few parts.. say what chord it is.. and that would be like the center around which the various instruments would play.. generally play one of the 3 notes that would make up that triad.. or perhaps playing the 7th, or perhaps playing a 3rd below the route..

We could.. at any given time divide up the chord.. saying this or that instrument would play around this or that note of the chord.. so you’re talking about a kind of harmonized modalism…

The Aesthetics of which are? 

In a certain way.. the kind of ideas I had were like a quantified version of how I actually make music… how I think about composition.. accept that my compositional framework… it’s like a way of thinking… and eventually.. in my process.. I leave my thinking behind.. go on this or that tangent.. and whatever.

I don’t actually have much of a music theory background.. what little I have is.. extrapolated, questions.. I eventually came to think of it as.. like being the product of an out dated cosmology… and so set out to build a new one… and I suppose that’s what my music actually is about. It’s really a kind of revelation of an intuition.

A few latter:

Think I better post this.. if for no other reason then to say I’ve posted something recently at least! 

Leave a Reply